In the realm of Hindi cinema, where originality and innovation have been in short supply, Nachiket Samant's Baby Do Die Do emerges as a breath of fresh air. This film, a playful and slick thriller, introduces us to the world of Baby Karmarkar, a deaf and mute sharpshooter turned contract killer, played with remarkable skill by Huma Qureshi. The movie, a delightful 'Bombay' film, immerses us in the vibrant and chaotic soul of the city, where the narrative unfolds amidst the bustling streets and the murky world of the property mafia and redevelopment.
What makes Baby Do Die Do truly captivating is its ability to blend style and substance seamlessly. The first half of the film, crafted by Samant and Rachit Singh, introduces us to a darkly comic universe filled with colorful characters. The buildup is masterful, ensuring that the audience is never left bored. From the bustling chawl where Baby lives with her loud-mouthed mother to the local trains where she discreetly eliminates her targets, the film paints a vivid picture of Baby's unique killing methods. Her choice of weapon, an umbrella modified to resemble a gun, adds a touch of whimsy to her otherwise deadly profession.
However, as the narrative progresses, the film encounters some rough edges. The central antagonists, Inspector Anjum Khan and Zafar Bhai, take a backseat, allowing for a subplot involving a blackmailing court clerk. This shift in focus introduces a few too many narrative coincidences, which, while intended as chaotic black comedy, may leave some viewers feeling overwhelmed. The second half, in particular, risks becoming vibes-heavy, relying on moody montages and stylistic atmosphere rather than deep character development and plotting.
Despite these minor shortcomings, Baby Do Die Do remains a captivating watch. Huma Qureshi's portrayal of Baby is a standout performance, infusing her character with a childlike playfulness and innocence. Baby's journey from a single-minded action protagonist driven by revenge to a more empathetic figure who begins to consider the impact of her actions on others is a compelling transformation. The love story that unfolds between Baby and her music teacher neighbor, Siddhu, adds a layer of depth to the narrative, even if it feels somewhat undercooked.
In conclusion, Baby Do Die Do is a delightful addition to the Hindi film industry, offering a unique blend of style and substance. It is a film that will appeal to those seeking a thrilling, character-driven narrative with a touch of whimsy. As Suchin Mehrotra, the critic and film journalist, notes, this is an opinion piece, and while the film may have its rough edges, it ultimately delivers a captivating cinematic experience. With its release on July 3rd, Baby Do Die Do promises to be a must-watch for fans of Hindi cinema and thriller enthusiasts alike.
